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#RP Nuff said

#RP Nuff said

Yup

Yup

It’s about to go down.

It’s about to go down.

#TrueStory

#TrueStory

Hiked 2.5 miles to a mountain then 1.88 up to this cave. Then hiked back. Good way to start my day.

Hiked 2.5 miles to a mountain then 1.88 up to this cave. Then hiked back. Good way to start my day.

Yeah

Yeah

Sunday sketch can’t wait until Football season #gobears #chicago #nfl #derwent #colorsoft

Sunday sketch can’t wait until Football season #gobears #chicago #nfl #derwent #colorsoft

Three years ago I had surgery on both legs. Since that day I haven’t been able to run mainly because I haven’t dedicated myself to it. Well today I will begin to break through that wall. I use to run 8 miles twice a week now I can’t run a mile by the end of the month that will change.

Three years ago I had surgery on both legs. Since that day I haven’t been able to run mainly because I haven’t dedicated myself to it. Well today I will begin to break through that wall. I use to run 8 miles twice a week now I can’t run a mile by the end of the month that will change.

Tonight’s sketch #prismaColor #geometric #lion #florida #orlando

Tonight’s sketch #prismaColor #geometric #lion #florida #orlando

instagram:

The Whimsically Macabre Scenes of @__remmidemmi

To see more of Sandro’s explorations of “bodies with no regret,” follow @__remmidemmi on Instagram.

In his macabre, tragicomic photo series, Italian photographer Sandro Giordoan (@__remmidemmi) explores the willingness of people to put the safety of material objects before their own well-being.

When conceiving the project, _IN EXTREMIS (bodies with no regret), Sandro drew from personal experience. “Last summer I had a small but tough bicycle accident,” he explains. “I lost 30% of my right hand’s functions because I never let go of the object I was holding as I fell.”

When, shortly after, a friend broke his leg to prevent his smartphone from falling in water, Sandro became concerned. “We live in a time where we risk material things becoming more important than our own lives, and this is really worrying.”

Sandro channeled his concern into crafting meticulous and whimsical photos. “I immediately felt the urgency to capture the moment of impact. I wanted to talk about obsessions, neurosis and frailties of our times through my personal experience.” The resulting photos are at once humorous and haunting.

Many think that the wildly contorted bodies in Sandro’s photos are dolls or dummies. Not so, says Sandro. “I work exclusively with professional actors who are able to position themselves in anatomically impossible poses because they are trained to use their bodies to communicate.”